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Posts Tagged ‘Jeff Revell’

Special Thanks to You All!

For my final post of the year, I’d like to take a moment to express my deepest thanks to some really great people who have made 2009 such an awesome year here at Jason D. Moore Photography.

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Walk4Hearing Silent Auction Update

Walk4Hearing Photo Silent Auction - Sponsored by Towner Jones Photography & Jason D. Moore Photography

As you’ve seen from Friday’s post, a couple of my fellow photographers and I have joined up to put together a photo silent auction to benefit the Walk4Hearing to raise awareness about and money for hearing loss related issues.

After only a couple of days we are already off to a fantastic start with bids on over half of the donated prints – some have even garnered multiple bids! The auction will continue through Sunday October 11th and we’ll be updating the current bids as often as possible over on our Walk4Hearing Silent Auction page on the Towner Jones Photography blog. I also just read that Jeff Revell has offered to sweeten the deal for the winning bidder on his print. He is going to throw in a signed copy of one of his Snapshots to Great Shots books as a bonus!

If you choose not to bid, but would still like to support this great cause, please visit Chris Stern’s Walk4Hearing Donation page. And please, help Chris reach his goal by helping us spread the word on your blogs, Facebook pages, and in your tweets (@JasonDMoore, @nolanstern, @townerjones).


Walk4Hearing Photo Silent Auction

Walk4Hearing Photo Silent Auction - Sponsored by Towner Jones Photography & Jason D. Moore Photography

Back in June, I mentioned how I had the pleasure of going on a photowalk with one of my readers, Chris Stern, while attending a conference in Boston. Chris and I had exchanged a few emails and Tweets and I was certainly aware of his photography skills through his contest entries. So, it was great to finally meet him in person.

As we finished up our time together, Chris mentioned to me that he was going to be participating in the Walk4Hearing to help raise awareness about hearing loss. He shared with me the success he had in the past in his fundraising efforts and that he wanted to really step it up and do something special this time around.

Since then Chris, Rob Jones (Towner Jones Photography, LLC) and I put our heads together and have teamed up to organize a silent auction to help raise awareness for this great cause.  To  help Chris reach his goal for the walk we are auctioning off a number of limited edition 11×14 prints, through a generous donation of printing by our friends over at Mpix.

We have been fortunate enough to gain the support of some extremely talented photographers who have donated prints including:  Dave Cross, Ivan Makarov, Jeff Revell, Laurie Excell, Matt Kloskowski, RC Concepcion, Roger Madsen, and Stephen Zeller. Of course Chris, Rob and I have put up a few prints too.

To get a fuller picture of the real heart behind this auction, and the cause as a whole, why don’t we turn to Chris and hear a little of his story:

Hello,

My name is Christopher Stern.  I have been hearing impaired all my life and wore hearing aids until I experienced additional loss of hearing in February 2005.  After numerous hearing tests, I was approved for my first Cochlear Implant in June 2006.  A year later, I received approval for my second implant in July 2007.  I am happy to say that both implants were a success and I am hearing more than ever before.

Here is an example of I how privileged I am to receive this technology.  Soon after receiving my first cochlear implant, I was on a ride with my in‑laws.  We pulled over to the side of the road and my mother‑in‑law asked if I heard the sound outside the vehicle.  The sound was of a cricket chirping and it was the first time I had heard one.  The power of this technology is amazing and I can only imagine what is in store for the future.

Did you know that over 36 million adults have hearing loss?  Chances are you know at least one person who has been affected by hearing loss and that is why I am taking part in the New England Walk4Hearing to be held at Artesani Park in Boston, MA on October 25, 2009.  The mission of the walk is to increase awareness about the causes and consequences of hearing loss and to raise funds to provide information and support for people with hearing loss.  I was privileged to participate in the New England Walk4Hearing in 2007 and raised over $2100 to support the hearing loss community.  Now, I am looking to eclipse that goal and raise even more money for this cause.

Back in 2007, I was introduced to photography by my mother and have been hooked ever since.  I can usually be found taking photos on the weekend and editing my photos during weekdays.  I share my photos with the online community via Flickr or contests through various photography blogs.  Early this year, I participated in the Towner Jones Photography and Jason D. Moore Photography monthly contests.  I have been fortunate enough to win a few of the monthly contests, which continues to provide me with inspiration to take even more photos.  It was through the communication with Rob and Jason that I was able to connect with them on a personal level and gained their support for the Walk4Hearing.

We are very excited about this opportunity and hope you will join us to help raise money for the Walk4Hearing.

Thank you for your time and remember, “Hear now and always.”

Full details on how to bid on the prints and to support Chris, whether you try for one of the prints or not, can be found on our Walk4Hearing Silent Auction page on the Towner Jones Photography Blog.

*100% of the proceeds from the silent auction will go to the Walk4Hearing.


New Online Magazine: Creative Studio (CAFE)

Photoshop Cafe's New Creative Studio Cafe Online Magazine

I was looking through my latest email CAFE Cup news from PhotoshopCAFE and noticed that Colin just launched the first issue of his new online magazine, Creative Studio (CAFE).

For this inaugural issue, Colin has assembled an awesome group of experts to talk about what’s new in CS4. It’s more than just a listing of new features, they go in-depth to really show how some of the newest features work and how they will help you improve your workflow.

In other news, I was reading Scott’s post the other day about AllTop.com and how they are now letting you create your own page of RSS feeds. Scott links us to his page to see the blogs that he checks up on every day and I was pleasantly surprised to see that I am on his list! Very cool!

And speaking of Scott, I was reading the blog of my buddy Rob Jones of Towner Jones Photography and he recently posted about the judges for the “On Assignment” contest. I was asked to be on the panel of judges but when I saw that the other members were Scott and Photowalker Extraordinaire Jeff Revell, I was humbled.

I never want to sell myself short but I am always amazed when movers and shakers in the digital photography community take notice of what I’m doing here in my little corner of the web or when others count me among those same individuals whom I hold in such high esteem.

So, thank you Scott! And thank you Rob! for such honors.


Workflow Friday: Jeff Revell

Photoshop Workflows

This week we welcome photographer, photowalker, and all around great guy, Jeff Revell of PhotoWalkPro. You can find out more about Jeff by visiting his blog or by reading his P&P Blogger Profile. Thanks for sharing with us this week Jeff!
*****

My Photoshop workflow changed substantially when I started using Lightroom as part of my process.  Writing a photography blog means that I am working with images on an almost daily basis, constantly making small changes and then preparing them for upload.  Here is how my process goes.

Since I download most of my images using Lightroom, they are ready to browse using the Library panel.  I try and keyword my images as I import them so that I can quickly get to the group of images that suit my need and then narrow down to the specific image I am looking for.

Jeff Revell - PhotoWalkPro

Once found, it’s time for some fine-tuning in the Develop panel.  I try not to get to heavy into my processing so I generally start by adjusting the Color Balance, Exposure, and Black levels and maybe a bit of Fill Light.

Jeff Revell - PhotoWalkPro

From there, I boost the clarity a bit (my favorite slider) and then check the image to see if it can’t benefit from a little bit of Vibrance.

Jeff Revell - PhotoWalkPro

From there I move on to the Tone Curve pallet to do some contrast adjustments as well as improving the shadows and highlights just a bit.

Jeff Revell - PhotoWalkPro

It’s at this point that I usually decide if the image needs some localized adjustments using the Adjustment Brush.  I tend to go way overboard to start with because it makes it easy to see all of the areas that I am affecting and then pull back on the sliders until it looks just right.

Jeff Revell - PhotoWalkPro

Finally I hit the Detail panel to add some sharpness.  I almost always shoot RAW and that means that every image is going to require some level of sharpening. 

Jeff Revell - PhotoWalkPro

My final step is to export the image to my Blog folder so that it is ready to upload.  I have created a custom export setting that has been created to specifically handle blog images.  The image is set to go to a specific folder.  I have a custom naming convention set up to apply the letters “sm” to the end of each file name so I know it is a smaller version.  I export in JPG at 80% quality with the color space set to sRGB for good web viewing.  I resize to 800×800 pixels so that it will proportionally shrink my images.  Finally, it set to open the folder when the export is done so I can check the finished product. 

Jeff Revell - PhotoWalkPro

The real key for me is to have things set up to move quickly so that I can spend more time writing and less time having to actually work in Photoshop.  I still love Photoshop for my unique processing requirements but for the daily grind, Lightroom is my application of choice.

Jeff Revell - PhotoWalkPro

*****
Thanks Jeff!

If you would like to share your workflow with us, please use the “Contact Me” link above to send me an email. Also, if you would like to support this or any of the other regular series here at Jason D. Moore Photography, please visit the “Become a Sponsor” page to learn how!


Thursday News Quickie – Prints, Prizes, Projects & Posts

Just a quick post to hit on some reminders from yesterday’s P&P Weekly that might’ve gotten lost in the shuffle and to announce our guest blogger for tomorrow.

  • New photos are being added to my print store all the time. Just last night I added a new gallery of my “Paris in Black & White” images which I am particularly proud of. Remember, if you enter the code 15OFFJAN09 during checkout, you will receive 15% Off any orders between now and the end of January. So act now!
  • The January Photo Contest is almost up! There are currently 26 entries into the contest and only a few days left in the month to enter! So head on over to the monthly photo contest information post to get the rundown of the contest and to learn how to enter for a chance to win a cool prize package!
  • The first installment of the “On the 4th” photo project will be posted soon! If you took a shot on January 4th, please send it in to be a part of this exciting new photo project!
  • Finally, be sure to check back in tomorrow for our guest for Workflow Fridays, photowalker extraordinaire Jeff Revell!


P&P Weekly: #107

Welcome to week #107 of The Photoshop & Photography Blogroll’s P&P Weekly! 

It’s been an exciting couple of weeks here at Jason D. Moore Photography! I’ve seen a dramatic increase in readers and I’d like to start off by welcoming all of the newcomers! I would also like to thank those of you who have linked here, particularly about Part I of the John Nack interview. It is very much appreciated!

There has been some growth on the sponsorship front! As I announced last week, the Photoshop Interviews series is now sponsored in part by Towner Jones Photography and there has been interest in sponsorships for other ongoing projects which will be announced once the details are finalized.

If you are interested in becoming a sponsor of one of our weekly or monthly series, or if you would like to be a sponsor of the blog as a whole, please take a minute to review our “Become a Sponsor” page to find out how!

Also this week, and I realize it might’ve gotten lost in the midst of all of the inaugural excitement, I am now offering my photographic prints for sale! Not only will you now be able to own a piece of my work you can get it for a discounted rate for a limited time! Scroll down to yesterday’s post for more details!

On the 4th - Send your photos in today!

On the 4th of each month throughout the year I invite you to take a photo and send it in. Join me and other photographers from around the world in documenting a day in the life, of sorts. For full details, take a look at our introductory post. If you shot something on January 4th, send me your images today so they will be included in the project!

Monthly Photo Contests

Full details can be found on our Monthly Photo Contest post and you can submit your shot(s) to our Monthly Photo Contest Flickr Group.  

Workflow Fridays

Every other Friday, we will welcome a new guest blogger that will share their personal workflow with all of us. They will take one of their own photos and walk us through the how’s and why’s of their post-processing techniques so that we might learn and expand our own workflows.

This Friday we will be welcoming photographer Jeff Revell of PhotoWalkPro as he shares his Lightroom workflow.

If you would like to participate in this new series, please email me or leave a comment!

Photoshop Interviews

Part II of my interview with Photoshop Hall of Fame inductee and Principal Project Manager for Adobe Photoshop and Bridge (and Friend-of-the-Blog) John Nack is coming soon!

Geographic Composition

Our upcoming themes – and their posting dates – are:

  • Week #46 – January 30: “Shadows”
  • Week #47 – Frbruary 13: “Round”
  • Week #48 – February 27: “Contasts”
  • Week #49 – March 13: “Wood”
  • Week #50 - March 27: Contributor’s Favorites

More details about Geographic Composition. 

Monthly Desktop Calendars

Starting in January I am offering special desktop wallpaper calendars. These desktop calendars will feature my personal photography as well as a listing of holidays and important dates. I offer these wallpaper calendars in a variety of sizes to accommodate a number of screen resolutions. The January Desktop Calendars are up now and February’s will be posted next week.

Get Your Monthly Desktop Calendar Today!

In the meantime…

Click here to become a member of the National Association of Photoshop Professionals. A great resource for training, tips, and connecting with other creatives.

And as always, take a moment to grab one of the chicklet links to show your support for this blog and, for blogroll members, be sure to pick up your P&P Blogroll Member badge link.

Finally, here are some of my favorites from what’s been happening in the bottom half (L-W) of The Photoshop & Photography Blogroll:

Please be sure to visit the great blogs of our other members found in the sidebar. And if you would like to be considered for The Photoshop & Photography Blogroll, email Jason.


P&P Weekly: #105

Welcome to week #105 of The Photoshop & Photography Blogroll’s P&P Weekly!

I’d like to start off today’s edition with a Welcome! to any new visitors that may have made their way here from Friends-of-the-Blog Jeff Revell of PhotoWalkPro, Jason Anderson of CanonBlogger (who got there from Friend-of-the-Blog Scott Kelby of Photoshop Insider). Thanks Jeff and Jason for your kind words and continued support! I couldn’t have gotten here without your support. I hope that you will take a look around and soon become regulars here!

You’ve come at a really exciting time here at Jason D. Moore Photography. We’ve recently announced a few new series that I think will prove to be informative, inspirational, challenging, and fun!

Read on for more information!

Monthly Photo Contests

Our new monthly photo contest for January continues to be open for entries. Full details can be found on our Monthly Photo Contest post and you can submit your shot(s) to our Monthly Photo Contest Flickr Group. Prizes for January’s contest include:

  • Adobe “Photoshop Icon” Long Sleeve Tee – L or XL
    (Embroidered “Ps” logo on a dark blue shirt with navy collar and sleeves)
  • Adobe Logo Pen
    (Blue, with black ink)
  • Adobe “Illustrator Icon” Stickers
    (1″x1″)
  • I hope you’ll throw your images into the ring! 

    Workflow Fridays

    Starting this Friday and continuing every other Friday, we will welcome a new guest blogger that will share their personal workflow with all of us. They will take one of their own photos and walk us through the how’s and why’s of their post-processing techniques so that we might learn and expand our own workflows.

    If you would like to participate in this new series, please email me via the link above, or leave a comment!

    This friday we will have our first guest post from blogroll member Marshall Garlington of f/11.

    Photoshop Interviews

    As announced yesterday one of our newer and more exciting series, for me at least, is Photoshop Interviews. Once a month I will sit down with a member of the Photoshop community and talk about the software, the creative community, and how they influence each other.

    Be sure to stop by on Monday for our first interview with Photoshop Hall of Fame inductee and Principal Project Manager for Adobe Photoshop and Bridge (and Friend-of-the-Blog) John Nack!

    On the 4th

    Our next new series, which has already begun, is the “On the 4th” Photo Project. On the 4th of each month throughout the year I invite you to take a photo and send it in. Join me and other photographers from around the world in documenting a day in the life, of sorts. For full details, take a look at our introductory post.

    Geographic Composition

    The Geographic Composition series is now open to anyone who would like to contribute. A special welcome to our newest participants! And I hope some of you are inspired to join us next time. Our upcoming themes – and their posting dates – are:

    • Week #45 – January 16: “Green”
    • Week #46 – January 30: “Shadows”
    • Week #47 – Frbruary 13: “Round”
    • Week #48 – February 27: “Contasts”
    • Week #49 – March 13: “Wood”
    • Week #50 - March 27: Contributor’s Favorites

    More details about Geographic Composition. 

    Monthly Desktop Calendars

    Starting in January I am offering special desktop wallpaper calendars. These desktop calendars will feature my personal photography as well as a listing of holidays and important dates. I offer these wallpaper calendars in a variety of sizes to accommodate a number of screen resolutions. The January Desktop Calendars are up now and February’s will be posted towards the end of the month.

    Get Your Monthly Desktop Calendar Today!

    In the meantime…

    Click here to become a member of the National Association of Photoshop Professionals. A great resource for training, tips, and connecting with other creatives.

    And as always, take a moment to grab one of the chicklet links to show your support for this blog and, for blogroll members, be sure to pick up your P&P Blogroll Member badge link.

    My apologies for those of you hoping for the weekly round-up of the top half of the blogroll. Due to time constraints, I had to forego that portion of “The Weekly” this time around but I will do what I can to get back to a more regular schedule starting next week.

    Thanks for stopping by! And be sure to come back tomorrow for more!


    New for 2009: Photoshop Interviews

    photoshop-interviews

    Lately, many sites have been coming out with series of photographer interviews to help share the work and inspiration of our creative fellows with the larger photographic community. From Crash Taylor to Canon Blogger to Dave Cross’ “Finish the Sentence.” And I think it’s great! In some small way, I like to think that my “P&P Blogger Profiles” had something to do with this new dialogue, but I doubt it.

    As I look around at these sites and take in all of the tremendous insights and experience of the featured guest, I notice that Photoshop and post-processing as a whole is only a small part of the discussion. It’s true that these days it’s almost impossible to talk about photography without talking about what happens in post. But there hasn’t been much of a forum for talking about Photoshop’s place in culture or to hope and dream, or gripe, about one of our favorite pieces of software.

    That’s about to change. On the second Monday of each month, starting next Monday, we will feature a new interview with a member of the Photoshop community.

    I’ve already got a “Who’s Who” of interviewees lined up including Adobe’s Project Manager for Photoshop John Nack, NAPP Executive Director Larry Becker, Adobe Creative Systems Engineer Mike McHugh, African Safari leader Andy Biggs, and photowalker extrodinaire Jeff Revell. And I’m waiting for confirmation from a number of others.

    As this will be an on-going series, I am always open to suggestions for new subjects to interview. If you have any ideas, please let me know so I can make contact and secure them as an upcoming guest.

    Please be sure to stop back on Monday for my interview with Adobe’s own John Nack!


    P&P Weekly: #101

    Welcome to week #101 of The Photoshop & Photography Blogroll’s P&P Weekly!

    Thanks for all of the great comments over the past week or so with my shots. I love the feedback and appreciate your encouragement and kind words.

    The Geographic Composition series is now open to anyone who would like to contribute. A special welcome to our newest participants! And I hope some of you are inspired to join us next time. Our upcoming themes – and their posting dates – are:

    • Week #42 – December 1: “The Letter Q”
    • Week #43 – December 16: “Signs of the Season”

    More details about Geographic Composition.

    In the meantime…

    Click here to become a member of the National Association of Photoshop Professionals. A great resource for training, tips, and connecting with other creatives.

    And as always, take a moment to grab one of the chicklet links to show your support for this blog and, for blogroll members, be sure to pick up your P&P Blogroll Member badge link.

    Finally, here are some of my favorites from what’s been happening in the top half (A-J) of The Photoshop & Photography Blogroll:

    Please be sure to visit the great blogs of our other members found in the sidebar. And if you would like to be considered for The Photoshop & Photography Blogroll, email Jason.


    P&P Blogroll Photowalkers

    First off, Happy 32nd Engagement Anniversary to my parents!

    The number of photowalks that are now a part of Friend-of-the-Blog Scott Kelby’s Worldwide Photowalk has just exploded with new locations being added everyday.

    Some of our very own members will be leading photowalks as part of this unique experience including:

    I’ve got a great route and ending restaurant all set thanks to Friend-of-the-Blog Eric Saar.

    A number of photowalks are filling up fast so be sure to sign up soon or start one in your area!


    Profile Reflections #13

    From Inside the Actor’s Studio:

    What sound or noise do you love?/What sound or noise do  you hate?

    • “Music, it’s the closest thing to paradise I can experience with my ears./That sound of water in your ear.” – Joey Lawrence
    • “Running Water/Silence” – Justin Seeley
    • “The sound of my children laughing./My alarm clock in the morning (unless it’s waking me to go fish or shoot a sunrise).” - Jeff Revell
    • “Sailing at night (Ocean, Wind, Waves)/Glass Breaking” – Tom Moore
    • “My daughters’ laughter” – Chris Oriwig
    • “The sounds of the African bush./Traffic Noise” – Andy Biggs
    • “I love steel guitar. And I smile when hearing just about any native instrument (steel drum, Peruvian flute, sitar, etc.) made to play The Godfather Waltz on a subway platform./The drone of meetings, and the bitching of suckaz.” – John Nack
    • “Silence/Crickets” – Terry White
    • “Love to hear the sound of coffee brewing (the smell is not too bad too)/Smacking lips and loud eating sounds.” – Derrick Story
    • “A wine cork being popped open./Copper coins being rubbed together.” – Jennifer Farley
    • “Falling Rain/The studio business phone ringing during holidays (i.e. Christmas, Thanksgiving, etc.)” – David Ziser
    • “My children laughing./My children in pain.” – Mike Palmer
    • “Any Handel aria./The alarm clock buzzer.” – Stephen Waterfall
    • “Cicadas singing/Chewing loudly” - Doug Stremel
    • “The rain, a soft breeze through leaves, and flowing water. My wife’s giggles./Alarm clocks, off-key music, persistent yet intermittent noises (i.e. – squeaks, barking, wood chippers, etc.).” – Jason D. Moore
    • “A child’s giggle./A person whining.” – Andy Smith
    • My cat, purring./My neighbor doing singing exercises; she can make my teeth rattle.” – Dave Beckerman
    • “The sounds of nature (wind, rain, the surf, etc.)./Domesticated dogs barking on an otherwise quiet night.” – Ben Willmore
    • “The intro to Weezer’s “Say It Ain’t So”./Bad bagpipes.” – Aaron Johnson
    • “Italian loafers walking on cobblestones./Bulldozers taking out trees.” – Kathleen Connally
    • “The sound of light rain outside my window./The voice of a telemarketer on the phone.” – Paul Politis
    • “Laughing children./Screaming children.” – Bruce L. Snell
    • “I absolutely love the sound of my wife’s voice, my son’s voice, and my daughter’s voice. It is just music to my ears./The sound of an alarm clock.” – Scott Kelby
    • “Breeze in the trees./Door clapping.” – Richard Vanek
    • “The sound of my car starting on a cold, dark, lonely road after I’ve stopped to take a photo./The sound of my car not starting.” – Michael Snell
    • “My cat purring/Fingernails on a blackboard” – Martin Andreasen
    • “Mountain streams/Traffic” – Jim Larimer
    • “Cork coming out of the wine bottle./Zydeco music.” – Eduardo Angel & Timothy Campbell
    • “My childrens’ laughter, my wife’s voice./Dentist’s drill.” – Dave Cross
    • “A few possible answers here… one sound I do like is waves breaking over rocks./Personalised mobile phone ring tones.” – Mike Holley
    • “Cat purrs/Nose blowing” – Amy Archer
    • “The wind blowing/People yelling at each other.” – Clayton Spangler
    • “Spanish Guitar/Crazy Frog Ring tone” – Mike McHugh
    • “The sound of cheering when your number rolls at the Craps table./The sighs around the Craps table when some one craps out.” – Matt Kloskowski
    • “My kids’ singing./An alarm clock.” – David Hobby
    • “The rain/Helicopters” – Lynda Walldez

    Click here to view a complete list of profiles.


    Profile Reflections #12

    From Inside the Actor’s Studio:

    What turns you on?/What turns you off?
    This question can, and is, interpreted in many different ways. It is one of those questions that is broad enough that it can encompass what turns you on/off creatively, physically, in life, you name it. So, in case you ever wanted to know – and even if you didn’t, cause you’re getting it anyway – here’s what turns us on and off.

    • “The sensation of taste. Especially amazing, new tastes./Right-wing radio” – Doug Stremel
    • “Any spectacular natural location with a good sunrise or sunset./Conformity and the business as usual lifestyle.” – Stephen Waterfall
    • “Creativity/Envy” – Mike Palmer
    • “Seeing someone being the best they can be./Seeing a person’s God-given gifts being wasted.” – David Ziser
    • “Competence (and back rubs)/Vanity” – Jennifer Farley
    • “Curves/Moody” – Derrick Story
    • “Intelligent People/Racism” – Terry White
    • “Possibility/Pomposity” – John Nack
    • “Working with a new electronic gadget/Gadgets that don’t work.” – Andy Biggs
    • “Life” – Chris Orwig
    • “People who go above and beyond to make things work…/People who don’t even try…” – Tom Moore
    • “Planning a photo excursion. My trip to Cambodia last year was unbelievable./People that whine.” – Jeff Revell
    • “Intelligence/Bigotry” – Justin Seeley
    • “A very talented chick./When girls type “lolz” on messenger chats. Laugh out loud… zebra? What the hell?” – Joey Lawrence
    • “A bold and sharp appearance/A soft and faded appearance” – Lynda Walldez
    • “Travel/Constricted Thinking” – David Hobby
    • “See answer to “What piece of equipment would you most like to get but don’t have?” above. (Nikon AF-S 400mm f/2.8)/Smoking” – Matt Kloskowski
    • “My Wife/Quark Express” – Mike McHugh
    • “My Wife/Inconsiderate People” – Clayton Spangler
    • “Roads/Arrogance” – Amy Archer
    • “Anything that is challenging and difficult to do./Dishonesty” – Mike Holley
    • “Being surrounded by creative people/People who couldn’t care less” – Dave Cross
    • “Airports. There’s something really sexy about women on the go./Antiseptic smells” – Eduardo Angel & Timothy Campbell
    • “Creating/Closed Mindedness” – Jim Larimer
    • “Curves/The smell of onions” – Martin Andreasen
    • “A cold beer on a warm veranda overlooking something scenic./Anger” – Michael Snell
    • “My Wife/Lie and Masquerade from people.” - Richard Vanek
    • “Fixing or tweaking something that I think is broken./Things that are broken (I’m not talking about appliances—I’m talking about processes, or businesses, or Web sites, etc.)” – Scott Kelby
    • “Creativity/People with closed minds” – Bruce L. Snell
    • “Kindness/Blind Obedience” – Paul Politis
    • “Exuberant people./Apathetic people.” – Kathleen Connally
    • “My Wife/Email Forwards” – Aaron Johnson
    • “Outercourse/Closed minded people who won’t shut up. I wouldn’t mind talking with them if they were at all open to changing their opinions. But it becomes a complete monologue instead of a dialog when all they do is spout their opinions without any interest in understanding the views of the person they are speaking with.” – Ben Willmore
    • “Sexy Women/Too many commercials during baseball games. Too damned many.” – Dave Beckerman
    • “A pleasant smile./Acceptance of mediocrity.” – Andy Smith
    • “Being with people who think creatively./Closed-Mindedness” – Jason D. Moore

    Click here to view a complete list of profiles.


    Profile Reflections #11

    From Inside the Actor’s Studio:
    I am a movie junkie. One of the things I get from my mother is a freakish knowledge of film. You know the game Six Degrees of Kevin Bacon? I’m pretty good. I’m actually within 4 myself in a couple of different ways (my friend Audra was an extra in Friday Night Lights with Billy Bob Thornton – after they lose a game you can see her looking angry as she walks across the screen in front of Thornton - he was in Sling Blade with the late JT Walsh, who was in A Few Good Men with Kevin Bacon). 

    So, when I was putting the profile form together I took my inspiration from the questionaire James Lipton uses on his show. As we begin to wrap up our profile reflections we’ll take a look at these somewhat unrelated-to-photography questions.

    What is your favorite word?/What is your least favorite word?

    • “Ubiquitous/Can’t” – Kathleen Connally
    • “Euphoria/Workday” – Paul Politis
    • “Free/Taxes” – Bruce L. Snell
    • “Opportunity/Problem” – Scott Kelby
    • “Laska moja!/Odpal!” – Richard Vanek
    • “Yes/Can’t” – Michael Snell
    • “Outsider/Useless” – Martin Andreasen
    • “Can/Can’t” – Jim Larimer
    • “Plenipotentiary/Pimple” – Eduardo Angel & Timothy Campbell
    • “Daddy/Mortgage” – Dave Cross
    • “Yes/Tax” – Mike Holley
    • “Peace/Can’t” – Amy Archer
    • “Happy/Boring” – Clayton Spangler
    • “Yes/No” – Mike McHugh
    • “Photoshop!/Any racial slur” – Matt Kloskowski
    • “Imagination/Worry” – David Hobby
    • “Eclectic/Feet” – Lynda Walldez
    • “The/Impossible. Cliché’s aside, it’s only because I can lick my own elbow you thilly goosth!” – Joey Lawrence
    • “Inspiration/Failure” – Justin Seeley
    • “Antidisestablishmentarianism (just because)/No” – Jeff Revell
    • “Solution/Problem” – Tom Moore
    • “Sojourn (favorite)” – Chris Orwig
    • “Yes/No” – Andy Biggs
    • “Passion/Apathy” - John Nack
    • “Success/Failure” – Terry White
    • “Fabulous/Arrogant” – Derrick Story
    • “My favourite word TODAY is worksharing. Tomorrow it will be something else./It’s very rude and I can’t bring myself to type it.” – Jennifer Farley
    • “Can/Can’t” – David Ziser
    • “Family/No” – Mike Palmer
    • “Spectacular – I just like saying it./Sorry” – Stephen Waterfall
    • “okie-dokie (I love how Anthony Hopkins said it in the movie Hannibal.)/Cancer” – Doug Stremel
    • “Moment – we spend so much time living in minutes when what we really need are moments filled with meaning and peace./Anything said in hate or anger.” – Jason D. Moore
    • “Friend/Stagnant” – Andy Smith
    • “Damn/Bosh” – Dave Beckerman
    • “Intelligence/Ignorance” - Ben Willmore
    • “Yes/Serial” – Aaron Johnson

    Click here to view a complete list of profiles.


    Profile Reflections #10

    What talent would you most like to have?
    Photography, and most other creative endeavors, are about expression and communication. I found it very interesting – though probably not that surprising – that when asked about desired talents, the vast majority of those profiled said they would like to have a talent for music or for languages. Whether it’s expressing emotion or creating through music, or being able to reach others through their native words, there’s something about communicating that seems to be ingrained in the creative personality.

    • “If I could be a great novelist, I wouldn’t have to walk around the city on cold days with a camera…” – Paul Politis
    • “The ability to compose and play music like Johann Christian Bach.” – Kathleen Connally
    • “The ability to be a human jukebox on the piano.” – Aaron Johnson
    • “To be able to be fluent in Spanish, German, Japanese and French amongst other languages.” – Ben Willmore
    • “That’s easy: something athletic. Maybe the ability to play baseball; any position. But I’m too old for that now anyway. So an athletic talent for a 55 year old guy: maybe ping pong.” - Dave Beckerman
    • “The ability to complete surveys a little more easily!” – Andy Smith
    • “I’d love to be able to play an instrument well – piano, harp or hammer dulcimer. (But I don’t have the discipline to practice.)” – Jason D. Moore
    • “To sing and play like Sting or Bob Marley or Ray Charles. How cool would it be to perform in front of thousands of people and have them sing along with you. Great singers have a gift for making the world happy.” – Doug Stremel
    • “I would love it if making music came easier to me and I had started earlier.  There are few joys in life that are better than making music with other people , it is such a synergistic experience.” – Stephen Waterfall
    • “Play guitar with out so much effort.” – Mike Palmer
    • “Playing a musical instrument – Banjo, Guitar, or Piano – but not all three.” – David Ziser
    • “I would LOVE to be able to sing. (my husband would love that too.)” – Jennifer Farley
    • “Wish I could sing…” – Derrick Story
    • “Singing” – Terry White
    • “Being made of liquid metal (mimetic poly-alloy).” – John Nack
    • “I would love to be more creative. Creativity is something that is difficult to obtain. Once you think you have it, poof! Gone. Sometimes I like to think that I am a creative person, but other times I realize that I am more innovative than creative.” – Andy Biggs
    • “Authenticity.” – Chris Orwig
    • “Teleportation” – Tom Moore
    • “I always thought it would be really cool to play an instrument. I was so jealous the first time I heard Scott Kelby play the keyboards. What a talented guy.” – Jeff Revell
    • “I would love to be able sing.” – Justin Seeley
    • “I still wish pokemon were real and I was the ultimate pokemon master.” – Joey Lawrence
    • “The ability to play the guitar.” – Lynda Walldez
    • “Fluency in many languages.” – David Hobby
    • “I’d love to be able to draw what I see.” – Matt Kloskowski
    • “Multi-lingual” – Mike McHugh
    • “To be able to play classical guitar.” – Clayton Spangler
    • “Ability to photograph people without getting all nervous and shy.” – Amy Archer
    • “This seems a popular choice, but speaking foreign languages. Because English is widely spoken around the world, we Brits are so lazy when it comes to languages. Wherever we go, we just expect everyone to speak English.” – Mike Holley
    • “Two things I can’t decide between: I wish I could play the piano and I’d like to be fluent in sign language.” – Dave Cross
    • “Fluency in ALL languages.” – Eduardo Angel & Timothy Campbell
    • “To play a musical instrument well….I have been a drummer, a poor banjo and fiddle player, lousy at guitar and even worse at the harmonica and flute! Being talented at any of the aforementioned would be welcomed!” – Jim Larimer
    • “I guess it would be cool to be able to make a living of playing poker or something like that. ” – Martin Andreasen
    • “I’d like to be able to fly. Is that a talent? Maybe that’s an ability…” – Michael Snell
    • “Be able to play music…” – Richard Vanek
    • “I would love to speak a few foreign languages.” – Scott Kelby
    • “I would like to be able to speak numerous languages fluently.” – Bruce L. Snell

    Click here to view a complete list of profiles.


    Profile Reflections #9

    What would be your most important piece of advice about life?
    Taking a brief step away from Photoshop and photography topics, we move for a moment to life and some words of wisdom from our profilees.

    • “Be of your word.” – Terry White
    • “Don’t take yourself too seriously. It inhibits growth and gets in the way of learning new things. Much better to have an open mind and be humble.” – Derrick Story
    • “Ehm, it’s too short to argue about silly stuff.” – Jennifer Farley
    • “Never give up, and sometimes, just live life’s questions without having to know the answers right now.” – David Ziser
    • “It is not about what you have done, it is about what you are doing.” – Mike Palmer
    • “This probably sounds cliché but do things that make you happy.  The type of happy that is deep and lasts long doesn’t usually require a lot of money – don’t worry about keeping up with the Jones’s.” – Stephen Waterfall
    • “The idea of pay-it-forward. I truly believe that optimism and kindness make life much more special. It’s a Karma kind of thing. I just hope I don’t come back as a bug.” – Doug Stremel
    • “Try not to take things so seriously. I often let things get to me when they aren’t that important anyway and I need to just let go. Travel. Find out what brings you joy and pursue it with all you’ve got. Never stop being true to who you are.” – Jason D. Moore
    • “Don’t get so hung up in “goals” that you miss the moment you’re in.” – Andy Smith
    • “I am not qualified to give advice to anyone about life.” – Dave Beckerman
    • “I believe this quote from Roy Williams captures what I think:

      “If you don’t start paying attention, you’re going to wind up where you’re headed.Is there something special in this life that you hope to do”someday”? How much of it can be done today, this very day, before you go to bed?In our youth, we have dreams and schemes and bright eye-gleams. And then one day we wake up, realize that whole decades have escaped us, one day at a time, and we’re no closer to our dreams than when we began. Badda-bing, badda-boom. Midlife crisis.Action is the solitary ingredient that separates planning from delusion.One thing leads to another. What “one thing” are you going to do today that will bring you closer to what you want to do tomorrow? It doesn’t matter how small the thing is. What does matter is that you DO IT TODAY. And then do another little thing tomorrow.

      Don’t allow the merely urgent to displace the truly important. Steal back a little of your life each day for living.

      Free the Beagle.”
      -Roy H. Williams

      Many people seem to have more dreams than goals and I don’t see them moving closer to a better life, which is a shame.

    • - Ben Willmore

    • “Relish, enjoy, dream.” – Aaron Johnson
    • “Trust your instincts and do what you want to do. Don’t let anyone stand between you and your vision of yourself. Live boldly and discover the unique talent you have to offer the world, whatever it is! You’re wonderful! ” – Kathleen Connelly
    • “I am always hoping someone will clue me in. If they do, I’ll let you know what they said. ” – Paul Politis
    • “Have as much fun as you possibly can. ” – Bruce L. Snell
    • “If you don’t have faith in God, you’re pretty much on your own, and life can be tough enough without having to go it alone.” – Scott Kelby
    • “There is no such a thing.” – Richard Vanek
    • “Travel. See the world and realize that there are many ways to live a good life. We don’t all need to be the same.” – Michael Snell
    • ““Life is like a box of chocolates…” No, I’m just kidding. Hmm – That was a tough one. My parents have always supported me, my brother and sisters no matter what we would throw ourselves into. And they have always said that you can do anything you want in life. If you work hard enough you will eventually reach you goals.” – Martin Andreasen
    • “Live your dream!” – Jim Larimer
    • “There’s not much time, so make the most of what you have.” – Timothy Campbell & Eduardo Angel
    • “Slow down a bit. We seem to move at a frantic pace sometimes and miss great opportunities such as enjoying the scenery or playing with our kids. So that’s it, just slow down a bit (oh, and use your turn indicator)” – Dave Cross
    • “Whether it’s in work or life in general, to quote Aldous Huxley, “Experience is not what happens to you, it’s what you do with what happens to you”.” – Mike Holley
    • “Look for the joy, because it’s not always obvious. Work to find it when you don’t see or feel it.” – Amy Archer
    • “Balance –Don’t forget about the important people in your life, other things beside photography that need to be taken care of. It’s so easy to forget that too. I am the kind of person that can be out driving somewhere and will say “Oooh, let me stop and make a quick photo of that interesting (insert person/tree/brook/scenic/ here) – the lights almost right!” and then an hour later I’m still not done. Trust me You may enjoy the moment, but the person beside you may get a little tired of the indulgence.” – Clayton Spangler
    • “Have fun.” – Mike McHugh
    • “Don’t sweat the small stuff.” – Matt Kloskowski
    • “Do not let fear of the unknown keep you from experiencing new things.” – David Hobby
    • “Everything has a process, so take life one day at a time.” – Lynda Walldez
    • “Treat the dandelion as a flower. This is the most common thought running through my head, I’ve been thinking about this concept for a few years now.” – Joey Lawrence
    • ““When success turns a man’s head, he is facing failure.” – Unknown” – Justin Seeley
    • “Don’t sweat the small stuff. Do what you can do, in the time you have to do it. There’s only 24 hours in the day, no matter how hard you try to squeeze in a little more. Also, don’t be a hermit. It’s a big world out there and everyone should try to see as much of it as they can in their lifetime. You can learn a lot about yourself by exploring other cultures. ” – Jeff Revell
    • “Always work in a career you find personally and professionally fulfilling. Also never under estimate the amazing impact that children and true love can have on your life, I am blessed to have both.” – Tom Moore
    • “Listen.” – Chris Orwig
    • “Whatever you choose to do, be the best at it that you can be. Give it 110%.” – Andy Biggs
    • “Good grief; how about, “Don’t take a self-absorbed 30-ish software dude or his pronouncements too seriously!” ” – John Nack

    Click here to view a complete list of profiles.


    Profile Reflections #8

    What inspires you to create?
    This time around we look at inspiration, and it’s a little bit different for everyone. Working with others and seeing the work of others recurrs so often in the responses. While we create for ourselves and for clients, we will often take a look around at the world around us or see what others are doing and tweek it to make our images our own. We strive to always get better, we look for the macro in the micro, we have a drive to communicate, to tell stories in pictures. (Items in bold resonate with me as well.)

    • “I just love it. It’s really all I’ve ever known. I never really think anything I do is good enough so I just want to keep trying to make something better.” – Matt Kloskowski
    • “Honestly, I do not know. Other than the fact that it is a very satisfying thing to do.” – David Hobby
    • A desire to express myself. Sometimes all it takes is a concept or philosophy.” – Lynda Walldez
    • “I take a lot of acid.” – Joey Lawrence
    • Music or television. I usually get that spark of creativity when watching a commercial or if a song happens to strike me the right way.” – Justin Seeley
    • “I started shooting in high school and fell in love with the black and white process. To stand in the darkroom and watch the image I shot appear on the paper as it soaked in the developer was almost magical (and I still love the smell of fixer). I just really enjoy looking for items to shoot in creative ways. If you look at my car shots, you’ll never see one of the whole car. Anyone can take a picture of the entire car but that’s all it is. To me, the parts are more interesting than the whole.” – Jeff Revell
    • “Other photographers and my daughter Olivia“ - Tom Moore
    • “As a kid my mom told me, “there’s no such thing as bad art.” She lied, but that is a truth that I hold onto. It inspires me. It gives me freedom. It reminds me that it is about creativity and process.” – Chris Orwig
    • “I have a growing library of coffee table books, and I often refer to them for inspiration. So I have to say work from other photographers.” – Andy Biggs
    • “I’d like the world to be a little more beautiful, a little happier, a little more truthful by virtue of my having been here.”John Nack
    • “Seeing something out there and thinking to myself, “I could do that and maybe even better.”” – Terry White
    • I like to have things to show for my efforts. When I was working my way through college, I couldn’t generate enough income as a photographer only, so I mowed lawns too. Believe it or not, I found that work very satisfying because I could stand back and admire my work after I finished working on a yard. Today, I can support myself making pictures and writing, and I find it very satisfying to create new things out of thin air.” – Derrick Story
    • “Cinema, tv, web, magazines” – Jennifer Farley
    • Wanting to see what comes out on the other side of an idea.  Something will pop into my head about a certain scene – color, lighting, details, lines, shapes, forms, pose – anything like that.   I’m curious how it will all come together in the finished image.  This process is kind of a private, quiet moment for me – even on a fast moving wedding day shoot. Motion seems to stop as I slowly put the “compositional pieces” together in my mind – almost “Matrix” like. Granted, it’s really fast in “real life”, but I love it when the final image is just the way I saw it in my mind. At that point, the experience is no longer private.- now it’s shared with the client.  For the portrait/wedding shooter, nothing excites your client more than your own excitement for the image you created for them.” – David Ziser
    • “Everything!  I met Brandon d’Leo (sculptor from NYC) at a recent shoot.  I was amazed and inspired by his work.  I started seeing sculpture everywhere.  I feel the same way about photography, images are everywhere.  Just look, and bring your camera. ” – Mike Palmer
    • “Inspiration comes from a number of sources but probably the biggest is experiencing other creative works – visual as well as performance arts.  Secondly,  sometimes I feel compelled to make a statement about a condition or state that comes to my attention.” – Stephen Waterfall
    • “Mostly, other creative people – artists, writers, comedians, entrepreneurs, chefs, directors, designers – the list is way too long. There are so many talented people who have interesting and unique perspectives of the world. I’m mostly inspired by creative people who will try anything and don’t mind if they fail. It’s a cliche, but failure really is the best teacher.” – Doug Stremel
    • “Sometimes it can be something as simple as a texture or shape. I really like contrasts in color, texture and light and when I see it I want to figure out how I can bring out the beauty in it.” – Jason D. Moore
    • “Desire to keep some sanity!” - Andy Smith
    • “At this point – it’s just a way of life. I don’t need inspiration. The camera is with me and if I see something interesting I raise it to my eye – and shoot.” – Dave Beckerman
    • “The desire to experience as much beauty as my senses can endure and the desire to learn how to turn the ordinary into the extraordinary through the development of my creative vision.” - Ben Willmore
    • “Fear of boredom.” – Aaron Johnson
    • “A very strong desire to realize my vision, tell a story and leave the world a better place when I go.” - Kathleen Connally
    • I get inspired by anything, often by very minor details or textures. Once something catches my eye, I try to find a way to photograph it that will be interesting. I’m often unsuccessful, but that is the sequence I follow: something attracts my eye for whatever reason, and I try to incorporate it into a composition that is pleasing.” – Paul Politis
    • “Seeing other photographer’s images.” – Bruce L. Snell
    • “Looking at other photographers’ or graphic designers’ work.” – Scott Kelby
    • “The death.” – Richard Vanek
    • “It’s pretty much something I just have to do. Just about anything can inspire me.” – Michael Snell
    • “I get a lot of inspiration from looking at other photographer’s work and to read interviews. When I am out shooting I can get loads of inspiration from random subjects, the particular light or moods you encounter and observe as a photographer. Sometimes I also get a lot of inspiration from movies or simply listening to my favorite music. It all depends on my mood.” – Martin Andreasen
    • “I am inspired by the rich visual tapestry of life I encounter each and every moment. Most often it is the mundane, overlooked scenes and occurences that most people take for granted and never see.” – Jim Larimer
    • There is so much mystery and wonder in the world. We both feel a need to explore these topics.” – Eduardo Angel & Timothy Campbell
    • “Seeing the work of others of course, and often long plane rides give me a chance to sit and brainstorm on what would make a cool-looking image.” – Dave Cross
    • “Seeing what ordinary people like me can achieve with the ordinary gear I have.” - Mike Holley
    • “Light, nature, and everything with subtle beauty. Hearing the shutter clicking inspires me.” – Amy Archer
    • “Light – I see light and shadows like some people hear music. It makes me want to be a part of it. I connect to how light and shadow forms shape and textures; and I am driven to capture the images I see running round in my head.” – Clayton Spangler
    • “Having a shower.” – Mike McHugh

    Thank you all for inspiring me.

    Click here to view a complete list of profiles.


    Profile Reflections #7

    What advice do you have for a novice creative professional/photographer?
    Today in our look back at the profiles of the past year, we’re presented with the pearls of wisdom presented by members of the Photoshop & Photography Blogroll. (As always, my personal favorites are in bold.)

    • “Shoot, share and study. Assuming you know the basics of good photography – start shooting – a lot. Carry a camera with you wherever you go. It can be your DSLR, a point-and-shoot or even the camera in your phone. Shoot everything. Find ways to make the mundane special. Develop the confidence to photograph people. Give yourself a fake photo assignment and go do it. Shoot, shoot, shoot.” – Doug Stremel
    • First - look at as many good photographs as you can and critically evaluate what makes them stand out from the crowd, look for the common elements that are present in all great images.  In fact, don’t limit yourself to just photos, there’s hundreds of years of paintings out there to learn from.  Use the same critical evaluation on your own images. Second - get to know your camera intimately so the settings are familiar and easily accessed depending on the shot at hand.  Always set your camera back to some standard state (i.e. ISO, shutter, aperture, A/M focus) so you are not surprised the next time you go out shooting. Third - get out and shoot as much as possible and experiment with different settings and techniques.  With digital it doesn’t cost you anything but your time.” – Stephen Waterfall
    • “Find an outlet.” – Michael Palmer
    • “You might have passion for what you want to do, but that is only half of the “success” equation.  The other half is discipline.  Without both of them, you will never reach your goals. Passion + Discipline = Success.  Now if you also want $uccess, you better have a Plan – but that’s and answer for another time.” – David Ziser
    • “Learn from other people, try out what other professionals do, practice, adapt what you’ve learned and make it your own and keep practicing.” – Jennifer Farley
    • “Get a photo buddy and/or become part of a photography community. If you have someone to go shooting with, and who will look critically at your photos, you will shoot more and improve faster. As for community, the nickname for The Digital Story is “your virtual camera club.” It’s a place for photographers to come together, learn new techniques, show off their pictures, and get feedback on their work. Being part of a community helps us improve as artists and craftsmen.” – Derrick Story
    • “Less is more!” – Terry White
    • “Get out there! The picture you take or design you create is infinitely better than the one you don’t create. I think that patience and humility are essential. Just as with exercise, music, or most other worthwhile pursuits, know that your skills will take time to mature. Try not to take the work or yourself too seriously, and enjoy the process.”John Nack
    • “Photography isn’t about having the latest gear. Even though we will have new product innovations in the future, don’t get hung up on having the latest and greatest gear. I look back 5 years when I had a pair of Canon D30 3mp cameras, and I still think the images I captured were every bit as strong as some of the images I am shooting today. Photographs that stir the soul come from within and between your ears, and not with what is sitting on top of your tripod.”Andy Biggs
    • “Jay Maisel was once asked, “What do I need to do to create better photographs.” He replied, “Become a more interesting person.” And I concur.” - Chris Orwig
    • “Take lots of pictures, be creative, push yourself but remember success in today’s market requires both talent and business savvy.” – Tom Moore
    • “Shoot for yourself, not for others. It is great when other people like what you have done but the bottom line is, if you don’t like it, why do it at all. Also, try to find yourself a good mentor who can offer advice when you need it.” – Jeff Revell
    • “Never lose sight of your dreams and no matter what job lay in front of you, give it everything you’ve got!” – Justin Seeley
    • “Experiment.” – Joey Lawrence
    • “Develop your own unique style, even if you are educated in photography. Innovation goes a long way in photography.” – Lynda Walldez
    • “Shoot constantly. Study and reverse-engineer the techniques of shooters whom you admire. Major in something other than photography to bring something external to your profession.” - David Hobby
    • “What doesn’t kill you only makes you stronger. Advice, long work hours, impossible projects, and criticism… they may all be difficult at times. But in the end, they all make you stronger and better for it. ” – Matt Kloskowski
    • “Practice… oh and wear pants.” - Mike McHugh
    • “Learn the basics; crawl before you try to walk, that sort of thing. Digital has made photographers of us all, but not all of us photographers. If you can’t work the camera to get the best results possible -but have to rely on the camera to tell you what to do – then your personal vision will not take place, nor be communicated effectively. A photographer has to have a clarity of vision, a passion for the craft. Be able to MAKE a picture instead of just TAKE a picture. You have to be a story teller with every shot, or the idea fails.” - Clayton Spangler
    • “Try to find a striking feature of everything. Try to find feeling in what you see. Light is important, but a unique and interesting composition counts for nearly as much as light. Take a lot of pictures, but don’t be discouraged if you only get one out of a hundred that you really like. Throw away your bad pictures to keep from discouraging yourself (this has the added benefit of more hard disk space).”Amy Archer
    • “Two things. It’s not about what equipment you have but what you do with it. Also, set yourself a series of achievable goals over a timescale that is realistic for you personally.” – Mike Holley
    • “Be willing to experiment: digital photography gives us a wonderful opportunity to try things, knowing you can always delete and try again. Learn your camera well, including Manual mode, and think about how you can take advantage of your camera and Photoshop.” – Dave Cross
    • “Have Fun.”Eduardo Angel & Timothy Campbell
    • Understand that what you are creating is 2 dimensional art and then learn the basics of 2-D design. Composition, composition and composition!” – Jim Larimer
    • “The best advice I can give is probably to get out there and shoot all that you can, and never be afraid to be different and do stuff that everybody else is not doing. This means both photography wise and post-processing wise. It can be great training to try to ‘copy’ the work of photographers you admire, but the best way to get noticed is to create your own style, which can take a while, but will gradually come natural when working a lot.” – Martin Andreasen
    • “If you want to go pro, take some business classes.” – Michael Snell
    • “Forget about technique, use your eye and brain for creativity.” – Richard Vanek
    • “When you realize that photography is all about shooting in great light, whether you’re outdoors or in a studio, using natural light or flash, it changes everything. I would focus on learning that by looking at how the best in the industry use light. The best outdoor photographers only shoot at dawn and dusk. The best portrait photographers only shoot their subjects in perfect natural light (not direct sunlight). In the end, it’s all about the light, and most photographers haven’t realized that yet. So, my advice—become a light snob, and either only shoot in great light, or learn to use strobes to create great light.” – Scott Kelby
    • “Don’t work cheap. Develop your skills, have a business plan and hit the ground running.” – Bruce L. Snell
    • “Not sure who would want advice from me, but the most important thing is to shoot as often as possible, I think.” -  Paul Politis
    • “1) Follow your vision. 2) Create something everyday. 3) Fill your life with people who support you in doing those things.”Kathleen Connelly
    • “Stop with the epic splash pages.” – Aaron Johnson
    • “Try to learn from every shoot you go on. If you’re somewhere for more than one day, don’t just shoot, transfer your shots to the computer and clean your sensor. Open and process your images while taking notes as to what worked, what didn’t and create a plan for the next day. If you stop learning every day then, either you’ve stopped paying attention, or you are no longer a novice.” – Ben Willmore
    • “For fine art photographers – don’t think of yourself as a novice or a professional. Don’t do anything different as an amateur or a professional. Just follow the obsession. If you’re not obsessed – then no advice will help anyway.” – Dave Beckerman
    • “Keep your camera with you at all times, and more importantly, go out and just do it (photograph) every chance you get.” - Andy Smith
    • “Observe the world around you. Really look at graphical elements in ads, commercials, websites, you name it. Pay attention to details. Be intentional about how you visually interact with the world. Don’t be discouraged by what others think as you develop your own style, but be open to constructive criticism. Learn as much as you can.” – Jason D. Moore

    Click here to view a complete list of profiles.


    Profile Reflections #6

    What piece of equipment would you most like to get but don’t have?
    With time still left to order gifts for that special photographer or Photoshop user, here’s a list of ideas from profiled members of the blogroll… I’m not hinting at anything, just reporting on what they had to say – *wink-wink*

    • “A Canon EF 300mm f/2.8L lens.” – Kathleen Connally
    • “17-inch Intel Core Duo MacBook Pro.” – Aaron Johnson
    • “A 600mm lens hooked to a cropped frame sensor SLR with a 1.4x extender on a Wimberley head and a massive tripod. I just finished spending a week shooting at Bosque Del Apache in New Mexico and I sure would have liked to have a longer lens.” – Ben Willmore
    • “I’d love to get a larger (wider) printer, but I can’t find a place to put it.” – Dave Beckerman
    • “A top-notch telephoto lens.” – Andy Smith
    • “SB-800 Speedlight” - Jason D. Moore
    • “When I got back into photography, I struggled with the Nikon vs. Canon issue. I chose Nikon, but I’ve had Canon envy since. I love my Nikons, but I would like a camera that performs better in low-light, high ISO situations. Hopefully the new D3 and D300 will solve that.” – Doug Stremel
    • “That changes pretty frequently but for now I’d like to experiment with IR photography which would require the purchase of an inexpensive SLR body and paying to get it converted to a dedicated IR camera.” – Stephen Waterfall
    • “D300, but that will be soon remedied.  Bigger printer would be nice also– Epson 3800.” – Michael Palmer
    • “The radio transmitter for the Canon 40D – it’s a great teaching aid – it really ramps up the learning curve for seminar attendees.  I’m also looking at the fisheye lens for my Canon 5D.” – David Ziser
    • “Lots of really long lenses” – Jennifer Farley
    • “I would absolutely love to have the new Canon 1Ds Mark III, but I don’t see one in my near future. Anyone out there have a spare body they can lend me?” – Derrick Story
    • “Nikon Zoom Telephoto AF VR Zoom Nikkor 70-200mm f/2.8D G-AFS ED-IF Autofocus Lens (Vibration Reduction) – Black” – Terry White
    • “Well, the Canon 70-200mm f/2.8 lens is a real beauty. I think the 5D would be great for indoor low-light shooting, and the 24-70mm f/2.8 lens would be a step forward there as well. I’d also like to start experimenting with polarizers and graduated neutral density filters.” – John Nack
    • “Medium format digital. I love landscapes with oodles of detail, and the latest round of medium format digital backs would look great in my bag.” – Andy Biggs
    • “Equipment is cool but I’d rather be like Picasso… “If they took away my paints I’d use pastels. If they took away my pastels I’d use crayons. If they took away my crayons I’d use pencils. If they stripped me naked and threw me in prison I’d spit on my finger and paint on the walls.”” – Chris Orwig
    • “A set of four Pocket Wizard Multi Max’s.” – Tom Moore
    • “I would love, love, love to have an Epson 3800 printer.” – Jeff Revell
    • “A Fully-loaded MacPro” – Justin Seeley
    • “A tilt shift lense. I made one out of an old film lense, a body cap and some duct tape though. It works pretty well but I doubt it will survive the wear-and-tear I put my equipment through. That includes hopping fences, strolling through politically unstable countries and that urge I get to always light stuff on fire in the background of commercial work.” – Joey Lawrence
    • “A telephoto lens.” – Lynda Walldez
    • “Nothing, really. I have a core bag of glass and small flashes that I have shot with for a long time. No reason to change, other than to upgrade bodies.” – David Hobby
    • “It’s a lens. The Nikon AF-S 400mm f/2.8. Wow… what I would give for that thing. I’ll post my B&H wish list should anyone like to purchase it for me : )” – Matt Kloskowski
    • “Macro Lens.” - Mike McHugh
    • “One of those cool softboxes they use to light up car shots with – about as big as a garage and they cost twice as much! Of course then I’d have to have a studio big enough to hang it…” – Clayton Spangler
    • “17? MacBook Pro” – Amy Archer
    • “A Canon EF 16-35mm f/2.8L USM lens… and a Holga.” – Mike Holley
    • “A great big studio soft box or beauty dish. Or a ring flash. Or a macro lens….” – Dave Cross
    • “A smoke machine.” – Eduardo Angel and Timothy Campbell
    • “An upgraded camera and a wide format printer” – Jim Larimer
    • “A sub-compact Mac laptop for on the road… but, sadly, they don’t make one. Until then, maybe an Epson P-5000? Or two.” – Michael Snell
    • “Currently I really need new computer ” – Richard Vanek
    • “I would love a Nikon 200mm F/2 lens. It’s glorious!!!!!” – Scott Kelby
    • “Canon EF 200mm f1.8″ – Bruce L. Snell
    • “I’d love to have a 16 megapixel camera, but I also want to keep my house. ” – Paul Politis

    Click here to view a complete list of profiles.


    Profile Reflections #5

    What is your favorite piece of photo or computer equipment (other than your camera)?
    This one is pretty self explanatory. I mean, come on, do I really need to come up with a witty comment for this one? Though I guess you can find some good gift ideas.

    • “It has to be Lightroom, no question. It’s a real photographer’s tool.” – Mike Holley
    • “70 – 200 L 2.8 IS lens” – Amy Archer
    • “Does the Video Ipod count? I LOVE that thing! It’s my portable entertainment system away from home when I travel. I watch my movies and videos, listen to music; I’ve even done impromptu slide presentations on it.” -Clayton Spangler
    • “My Expo Disk.” – Mike McHugh
    • “My Epson R2400 Printer. I love it.” – Matt Kloskowsksi
    • “Nikon SB-26 speedlight.” – David Hobby
    • “My tripod.” – Lynda Walldez
    • “Duct tape. I always find a use for it on shoots. One time I taped a strobe to a tree because I was frustrated with it’s stand.” – Joey Lawrence
    • “It’s a tie between my MacBook Pro and my Wacom Tablet.” – Justin Seeley
    • “I would have to say it’s my Tamrac Adventure 9 photo backpack. I was always leaving my SLR behind on business trips because I couldn’t fit it in my computer backpack. Now I have the best of both worlds, It is a great system that let’s me take my laptop, a digital SLR, three to four lenses, and a bunch of accessories with me on the plane. The best part though is that it is slim enough that I can slide it under the seat in front of me so I can access the computer during flights.” – Jeff Revell
    • “My off camera flash/lighting equipment (thanks to Strobist)” – Tom Moore
    • “The camera manual.” – Chris Orwig
    • “Right now it is my camera backpack that I am bringing to market in a few months. I have been working on this product for over two years, and I am so excited to start selling it soon.” – Andy Biggs
    • “I love Wacom tablets, though I’m sorry to say that my job keeps me in email far more than it lets me stretch my legs in Photoshop. That said, I find a tablet invaluable for any kind of drawing or retouching work.” – John Nack
    • “Spiderlite TD5″ – Terry White
    • “I think the iPhone is a great tool for photographers/bloggers on the go. I find that I’m doing a much better job of keeping up with email, monitoring my web sites, and communicating with clients and coworkers. Plus, it’s absolutely great for showing off photos, uploading images directly to Flickr, watching videos, and oh yeah, it’s a good music player too.” – Derrick Story
    • “My graphics tablet.” – Jennifer Farley
    • “Wow! That’s tough one – it’s like I like the whole gear bag – but I do tend to lean towards wide angle lenses.  Computer wise, I like the big screen monitors.  I’m currently using a Dell 24” wide screen monitor, but boy, that Dell 30 “incher” looks pretty cool.” – David Ziser
    • “Right now it has to be Photomatix Pro.  I love HDR, the over done grunge images and the photo realistic, it does not matter.  It’s been fun going back to raw images, that were flat and uninteresting, and spicing them up.  Now I try to shoot with HDR conversion in mind.  My daily routine does not afford me the opportunities to shoot at peak times a lot, so HDR in my opinion is a creative masterpiece.” – Mike Palmer
    • “I guess that would have to be my ultra wide angle lens (10-22 mm).  At heart I love being out in and photographing the landscape and this is an ideal piece of kit for capturing and showing it off.  It can also be used at close quarters to present a unique perspective of common items.” – Stephen Waterfall
    • “My Mac, of course. Adobe Lightroom is the coolest, and I’m always trying out new Photoshop actions.” – Doug Stremel
    • “I really like my Wacom Intuos3 6”x8” graphics tablet, though, a widescreen version would be nice.” – Jason D. Moore
    • “Apple display.” – Andy Smith
    • “That is easy: Epson 4800 printer. It is the most important piece of equipment in the house.” – Dave Beckerman
    • “My belt-based camera “bag” from Think Tank Photo. I have access to all my lenses and can switch them so fast that it’s amazing.” – Ben Willmore
    • “Mac 17-inch PowerBook.” – Aaron Johnson
    • “My Canon EF 85mm f/1.2L lens.” – Kathleen Connally
    • “My Epson 2200 printer.” – Paul Politis
    • “My Expodisc.” – Bruce L. Snell
    • “OK, you knew I was going to say Photoshop right? However, right behind that is Lightroom, and behind that is iPhoto (it’s better than you’d think).” – Scott Kelby
    • “My printer Epson 2100 with carbon pigment inks.” – Richard Vanek
    • “My Mac and Cinema Display. For photo equipment, probably my 80-200 Nikkor zoom. Typically my favorite shots come from it.” – Michael Snell
    • “That must be my homemade shift-lens made from an enlarger-lens, a body-cap, some black plastic from a garbage-bag and a rubber band. ” – Martin Andreasen
    • “It is not equipment per se but I would have to say Photoshop” – Jim Larimer
    • “Public computers are cool.” – Eduardo Angel and Timothy Campbell
    • “It’s going to sound strange, but probably the L bracket (Really Right Stuff) that lets me switch from portrait to landscape on my tripod in a flash. It’s great.” – Dave Cross

    Click here to view a complete list of profiles.


    Profile Reflections #4

    In this edition of the Profile Reflections I take a look back on what we’re all working with here. We touch on two of the more ”religious” topics in the digital imaging community: cameras and computers. The majority of shooters fall into either the Canon or Nikon camps with fewer using Olympus bodies or those made by other manufacturers. As for computers, there’s always been the Mac vs. PC debate and, as with the camera question, the field reflects that divide as well.

    My favorite responses to these questions fall under the category of “use what works for you.” You could go on and on about the benefits and downfalls of one side or the other but in the end, it comes down to preference and getting the results you want. For me, that’s shooting with a Nikon and working on a PC. For Stephen Waterfall, it’s shooting with a Canon and working on a Mac.

    These are just the tools we use to create. After all, it’s the painting, not the brushes, that matter.

    What type of camera(s) do you shoot with?
    Note: These responses are true as of the posting of the respective profiles and do not necessarily reflect current gear.

    • “All kinds… Whatever is on my shoulder.” – Chris Orwig
    • Canon 1D Mark III - Tom Moore
    • “There are several that I like. I am a Nikon guy so I would have to say that I love the D80 but still have a warm fuzzy place for my D100. The D200 is also a very sweet rig.” – Jeff Revell
    • Nikon D200 – Justin Seeley
    • “Most of my old stuff was done just with a plain old Minolta Dimage thing, but now I use the very schexy Canon 5D. When my Dimage broke I used a $5 disposable camera and nobody noticed. Right now I MAY just be using a pinhole camera, you’d never know.” – Joey Lawrence
    • A Nikon D50 and an HP Photosmart R707 – Lynda Walldez
    • Nikon D2Xs, Nikon D2Hs, Canon G7 – David Hobby
    • Nikon D200 – Matt Kloskowski
    • Nikon D70 – Mike McHugh
    • “I shoot primarily with Canon digital cameras and equipment. Although I’ve been seen shooting with some pretty cool Fuji cameras a time or two.” – Clayton Spangler
    • Canon 20D and sometimes a Canon Powershot S3 – Amy Archer
    • Canon 350D – Mike Holley
    • Nikon D200 - Dave Cross
    • “We both exclusively use Canon PowerShot SD500 cameras.” - Eduardo Angel and Timothy Campbell
    • “Currently I take pictures with a Kodak P880″ - Jim Larimer
    • “At the moment I use Canon EOS-1D. I primarily use digital SLR because of the file-size, the ease of use and the possibility of expanding/experimenting with your kit almost endlessly. I like to have complete control of the equipment when shooting, so the next step is probably medium-format.” – Martin Andreasen
    • “Currently a Nikon D200 but I keep a Panasonic LX-1 in my pocket most of the time, too.” – Michael Snell
    • “I use rangefinders and some old 6×6 when I was young. In a last few years I am using Nikon F100″ – Richard Vanek
    • “I shoot with a Nikon D2Xs as my main camera, with a Nikon D200 as my backup body (but I use that D200 more than I would admit—I love that camera).” – Scott Kelby
    • Canon 5D and 30D
      Canon EF 28mm f1.8
      Canon EF 50mm f1.4
      Canon EF 85mm f1.8
      Canon 580EX (x2)
      Canon ST-E2 – Bruce L. Snell
    • “I now shoot pretty much exclusively with a Canon EOS 20D” - Paul Politis
    • Mostly a Canon 5D right now. – Kathleen Connally
    • 2 – 20D’s. – Aaron Johnson
    • I shoot with a Canon 5D and have the following lenses:
      17-40mm
      24-105mm
      100-400mm
      100mm Macro
      Lens Baby 3G – Ben Willmore
    • Olympus Evolt 500, and before that an Olympus C-4000. – Andy Smith
    • “Nikon D200, and I used to shoot with a D50.” - Jason D. Moore
    • “Nikon D200 and D70. I also play around with a Holga and a Polaroid. My lenses: Nikkor 70-200mm VR, 17-35mm, 35mm, 60mm macro and a Lensbaby 2.0.” – Doug Stremel
    • “I have shot with just about everything (read that as money poorly spent). I now shoot with the Leica M3 or the M6. I shoot with Tri-X film. (Spent one year doing digital with Canon 20D but I like film better – at least for b&w).” – Dave Beckerman
    • “The first camera I bought was a Canon EOS film camera back in 1999.  At the time digital was just coming out and I remember debating whether to get the film SLR or a Kodak 1 MP point and shoot for about the same price.  In the end I opted for film SLR and put off buying digital for another 4 years when I picked up the Canon A70 for another trip I was taking.  Finally in 2006 I jumped on the digital SLR bandwagon with the Canon 30D and have since spent a considerable amount of $$ on lenses and accessories.” – Stephen Waterfall
    • D200, D70. – Mike Palmer
    • “My current Favorite is the Canon 40D, I still own the 5D, 30D, and 20D’s” – David Ziser
    • Olympus E300 and a Canon Sureshot A50 – Jennifer Farley
    • “My assignment camera is a Canon 5D DSLR, and my favorite lenses are the 16-35 f/2.8 L II and the 70-200 f/4 L. But I like compact cameras too, especially ones that shoot good video also. My current pocket camera is the Canon PowerShot SD700. It takes great pictures, has image stabilization, and records clean video.” – Derrick Story
    • Nikon D80 – Terry White
    • “I own a Canon Rebel XT, which for most of my needs is great. Lately I find myself rather hungrily contemplating a 5D, though first I think I should invest in some better glass. Of course, I’m reminded of what my friend says when he teaches at high-performance driving schools on the weekends: if most of those guys invested a tenth as much into learning how to use the gear as they put into the gear itself, they’d be way better off than they are. Therefore I continue to want to make time to take more classes. Too bad it’s so much easier just to plunk down cash for gear than it is to become a better photographer.” – John Nack
    • I primarily shoot with a Canon 1DsMkII, but I also shoot with a 1DMkIII and an infrared converted Canon Rebel XTi. I am currently thinking of adding a 6×17 camera to the mix for animal-scapes.” – Andy Biggs

    Mac or PC?

    • Either – Chris Orwig
    • “PC but I long to get back to the Mac” – Tom Moore
    • I have been a PC guy for more years than I can count but I have recently started using Mac. I love both platforms and they each have their plusses and minuses. In fact I had to send my Powerbook back to Apple just two days after buying it because the motherboard fried. There is no such thing as a bulletproof system.” – Jeff Revell
    • “Mac would be my first choice. However, I am required to use both for training purposes.” – Justin Seeley
    • “I’ll be switching to Mac in about a week. I’m sure Windows is okay for some things though, I’m just becoming less of a fan each day. It’s not that important though, use whatever get’s the job done.” - Joey Lawrence
    • PC – Lynda Walldez
    • “You’re kidding, right? Mac, forever.” – David Hobby
    • “I use both Mac and PC. Doesn’t really matter to me as Photoshop works the same on both. I use my MacBook Pro more lately because of its nice slim form factor for traveling.” – Matt Kloskowski
    • “Both mostly Mac. Using Parallels” – Mike McHugh
    • “PC – but don’t hold that against me! I can speak MAC” – Clayton Spangler
    • Mac – Amy Archer
    • PC – Mike Holley
    • “I use both but have always mostly used a Mac.” – Dave Cross
    • Mac – Eduardo Angel and Timothy Campbell
    • PC - Jim Larimer
    • “For now I am using my PC, but eventually I will definitely be switching to Mac. Back in 1999, when I started to work with PS it was on an Apple, and now that the prizes and availability is here, I will not hesitate to go back to where I started when I’m finished with this PC.” – Martin Andreasen
    • “Definitely Mac although I do also own a Sony Vaio (don’t tell anyone!)” – Michael Snell
    • PC – Richard Vanek
    • “I’ve always been a Mac guy. I have two Dell laptops, and they’re great, but I’m still a Mac guy at heart.” – Scott Kelby
    • Macintosh dual 1.8 G5 with two 20” cinema displays.
      Macintosh TiBook.  – Bruce L. Snell
    • PC – Paul Politis
    • “PC for now. (Love Mac, though. Someday soon.)” – Kathleen Connally
    • Mac – Aaron Johnson
    • “I’ve owned a Mac since they were introduced in 1984 and also own a tablet PC, but will be getting rid of it once I upgrade to a MacBook Pro after MacWorld.” – Ben Willmore
    • PC – Dave Beckerman
    • Mac – Andy Smith
    • “PC – but I love the look and feel of a Mac” – Jason D. Moore
    • “Die-hard Mac.” – Doug Stremel
    • “I’ve been a Mac user for about three years now.  I like the elegant design and simple UI.” – Stephen Waterfall
    • “PC, but if I could get to the point to where I was not buying photo gear, I would get a Mac Pro with all of the money I save.  I am OCD when it comes to my system, so change is hard, but I think inevitable for me.” – Mike Palmer
    • “Let’s not make it a religious argument here, but I use the best tool for the job and for me 90% of the time that’s a PC.” – David Ziser
    • PC – Jennifer Farley
    • Intel Mac – MacBook Pro 17” – Derrick Story
    • Mac – Terry White
    • “Mac, since ’84.” – John Nack
    • “Mac when I can get away with it. Mac at home, Mac on the road. However, unless Apple comes out with a lightweight laptop solution, I might move back to the PC just to save some weight on long safaris. Hey, a few pounds here and a few there really do add up.” – Andy Biggs

    If you’ve made it this far, and have been keeping count, here’s the tally of where my profilees fall in two of the great techno-religious conflicts:

    Canon: 18
    Nikon: 13
    Olympus: 2
    Kodak: 1
    Leica: 1

    Mac: 12
    PC: 15
    Either/Both: 8

    Click here to view a complete list of profiles.


    Profile Reflections #3

    How long have you been using Photoshop/been a photographer?
    We all have different levels of experience. One of the reasons I started the blogroll and, subsequently, these profiles was to network with other photographers so that we could all learn from each other. Whether we’ve been at it since we were kids or we’ve only just begun, whether we’re pros or hobbyists, we all have something to learn, and we all have something to offer.

    • “Photographer since 1984, Photoshop user since late 1980’s” – Bruce L. Snell
    • Started using Photoshop at version 2.0, and I was a traditional film photographer for years before that.” – Scott Kelby
    • “I am photographing from about time when I was eight years. I had some breaks. And I do not use photoshop, I use Picture Window Pro http://www.dl-c.com/ as it fits more my approach as a photographer and it is cheaper.” – Richard Vanek
    • “I think I’ve always been a photographer, starting with box cameras and Kodak Instamatics as a kid, graduating to 35mm when I was around 12. I began using a Mac in 1986 and used Digital Darkroom software before switching to Photoshop – possibly even with version 1.” – Michael Snell
    • “I have been using Photoshop and other Adobe applications for a longer time than I have been into photography. The first time I tried Photoshop was in the fall of 1999, when I took the first two semesters of the graphic designer-class we have here in Denmark. I got into serious photography in the end of 2003, where I bought my first DSLR and began shooting various projects and assignments for different clients.” – Martin Andreasen
    • “I have been taking pics since the late 60’s and using Photoshop for the past 8 years. I have been seriously taking pics for the past 9 months.” – Jim Larimer
    • “I can barely use Word. Eduardo has been using Photoshop for years though.” – Eduardo Angel and Timothy Campbell
    • “I started using – and teaching – Photoshop back in its original version. In fact every application that I teach, I have used since version 1 (Photoshop, Illustrator, InDesign, Photoshop Elements, Adobe Lightroom).” - Dave Cross
    • “I started photography back in the early 1980’s but then lapsed for various reasons. I got interested again about two years ago and bought a DSLR, although it’s only in the past 8 months that I’ve really begun to use it seriously.” – Mike Holley
    • “I’ve been using Photoshop off and on for about six years, but only about three years for photography.” – Amy Archer
    • “So long I don’t remember (laughs) – I think around Adobe 4.5″ – Clayton Spangler
    • “14 Years” – Mike McHugh
    • “Photoshop – 14 Years, Photographer – 5 Years” – Matt Kloskowski
    • “Since I was 8.” – David Hobby
    • “I have been using Photoshop since July of 2006 and I have been a photographer since November of 2005.” – Lynda Walldez
    • “Three point five years/Two point five years” – Joey Lawrence
    • “Photoshop – 10 years, Photographer – 2 years (but I’m not much of a photographer)” – Justin Seeley
    • “I have been shooting since I was in high school. That puts it at about 25 years now. Having been a Windows user from the beginning of my computing days, I didn’t jump on board with Photoshop until version 2.5. At the time I was wrestling between that and Aldus Photostyler. After Adobe purchased Photostyler, it was all Photoshop from there on out.” – Jeff Revell
    • Photographer since age 7 (gotta love the old 110’s) and a Photoshop user since the early 1990’s on an old school Mac Classic.” – Tom Moore
    • “I started using Photoshop with version 6, and that is about the same time that I took up photography as a true passion. Before that I was just a casual shooter that picked up a camera only for vacations and family get togethers.” - Andy Biggs
    • “I started using Photoshop my freshman year in college, 1993. I was used to MacPaint-class tools, so when my friend pointed out Photoshop, it was a real revelation. As for photography, I’ve had an interest as long as I can remember. As a little kid I used to snap away as much as my parents’ film budget would allow, and when they first got an SLR I loved experimenting with things like shutter speed. Unfortunately I was too lazy to really learn enough, so I ended up drawing more as that came easily to me (and didn’t cost much!).” – John Nack
    • “Photoshop since version 2.5, Serious photographer since 2004″ – Terry White
    • “I’ve been a photographer since my teenage years working for the local newspaper. I got hooked on Photoshop 2.5, and have been using the application ever since.” – Derrick Story
    • “I’ve been taking photographs since I was about 7. My dad use to process his own black and white stuff in my brothers bedroom and that’s when I was given my first camera. I think it was a Vivitar with 110 mm film. I first started using Photoshop around version 5. I had been using Paint Shop Pro before that. I loved Photoshop right away and even now am very pleasantly surprised that my career revolves around it.” – Jennifer Farley
    • “I started in Photography as a hobby when I was 12 years old processing my own film and prints.  My first enlarger was my little sister’s “Give-a-Show” projector.  I photographed my first wedding at age 15, graduated with a Physics degree and Engineering degree in 1971 at age 23, and opened my studio in 1978.   Regarding Photoshop – I go back to Photoshop 5.  I could do it all back then, but all I could do was burn, dodge, clone, and crop.” – David Ziser
    • “I have been shooting since I took photography classes at NOVA when I was stationed at the Pentagon, serving in the Army in the late 80’s.   My Chief Warrant Officer let me take classes on Friday’s during my tour there. Photoshop – I have been on with PS4, off until 7, on again with CS2 and 3.  I never really had a grip of it (layers) until the past few years.  I made myself a promise to quite trying to make the image with it and start getting it right in the camera.  Stop trying to be a graphic artist and be a photographer.” – Mike Palmer
    • I’ve been shooting seriously now since getting my digital SLR 18 months ago but at the time I was using the iPhoto software that came with my Mac for a limited amount of processing.  As I viewed other blogs it became apparent that almost everyone was using photoshop for image processing so I finally bit the bullet and bought a copy just over a year ago.  From that point on there is no going back, anyone serious about their photography should be using this software.  For those just starting out with photoshop should have a look at the “Photoshop Workbench” videos on the Radiant Vista website (www.radiantvista.com).” – Stephen Waterfall
    • “I fell into the design/advertising agency business in 1991 – so I got to see the whole evolution of Photoshop. I was a writer back then, but I got to see talented designers learn and master Photoshop. I went out on my own in 1998 and jumped into design. I’ve been using Photoshop ever since. I learned photography in high school, spent five years as a TV photojournalist, and then after a long break took up digital photography in 2004.” – Doug Stremel
    • “I’ve been using Photoshop since 2002. I started out with 7 and made the jump straight to CS2 and I’m now working with CS3 Extended. I’ve always enjoyed taking pictures but didn’t get serious about it until I traveled around the world in college in 2002.” – Jason D. Moore
    • “To a small extent, I’ve photographed since I was a kid, but the first quality camera came only a few years ago with the advent of digital cameras.” – Andy Smith
    • “I’ve been a photographer for about 45 years. I’ve been using Photoshop for a very long time. Maybe since 1998 or so.” – Dave Beckerman
    • “I’ve used Photoshop since before it was released by Adobe. I can’t remember when I wasn’t into visual stuff… I owned my first camera sometime in grade school and owned my first serious 35mm camera in high school and a 4×5 in college.” – Ben Willmore
    • “Photoshoppin’ since 1991. “Photographer” since 2003.” – Aaron Johnson
    • “I’ve been a photographer since I was seven years old. I’ve been using Photoshop since 2003.” – Kathleen Connally
    • “I’ve been photographing for about 20 years, and have been using Photoshop for about 4 years. Before that, I was still trying to get the results I wanted the traditional way – with a small darkroom in my basement.” – Paul Politis

    Click here to view a complete list of profiles.


    Rochester Panoramic Planet

    rochester_planet.jpg

    I saw over on Friend-of-the-Blog Jeff Revell’s site a link to a gallery of panoramic photos turned into surreal planets. And Geographic Composition contributor Mike Palmer also used this technique for last Friday’s submission. I had seen the same tutorial he mentioned a while back but never tried it for myself until now.

    So, as a quick break from the Profile Reflections, here’s what I did using my Rochester Pano from the other week:

    1. Create a panoramic photo by either stitching together a number of shots or by cropping a landscape image. Be sure to maintain a minimum of 2:1 width to height ratio.

    2. Make sure that both the sky and the bottom section of the image match pretty well to avoid a really noticeable seam.

    3. Make sure the horizon line is perfectly, well, horizontal. This, again, helps everything line up easier.

    4. With your pano open, go to Image>Image Size and uncheck the box next to “contrain proportions” and make your height the same value as the width. Click “Ok.”

    5. Rotate your canvas 180 degrees.

    6. Go to Filter>Distort>Polar Coordinates and select the “Rectangular to Polar” option and click “Ok.”

    7. Rotate the image to your liking. I just flipped it back 180 degrees.

    8. Clean up any evidence of the seam. I actually replaced the bridge on the right side with the one on the left to make it look better and then did a bunch of patching and healing and masking in the center and along the seam at the bottom of the planet to make it all fit.

    9. Because my pano wasn’t shot properly in the first place, my sky was a mess. So, I simply made a mask of the planet and placed a better sky behind it.

    It’s a really cool idea and one I’m definitely going to try again. Give it a try and let me know what you come up with!


    Profile Reflections #2

    If you only had time to read three blogs a day, which ones would they be?
    As we saw in yesterday’s reflection a large part of blogging, especially in the Photoshop and photography community, is inspiration. Here is a list of the blogs and/or websites mentioned by members as their favorites (multiple mentions are emphasized):